And then the pew-opener had stolen up unobserved, and had taken it so for granted that she would like to be shown round, and had seemed so pleased and eager, that she had not the heart to repel her. A curious little old party with a smooth, peach-like complexion and white soft hair that the fading twilight, stealing through the yellow glass, turned to gold. So that at first sight Joan took her for a child. The voice, too, was so absurdly childish—appealing, and yet confident. Not until they were crossing the aisle, where the clearer light streamed in through the open doors, did Joan see that she was very old and feeble, with about her figure that curious patient droop that comes to the work-worn. She proved to be most interesting and full of helpful information. Mary Stopperton was her name. She had lived in the neighbourhood all her life; had as a girl worked for the Leigh Hunts and had “assisted” Mrs. Carlyle. She had been very frightened of the great man himself, and had always hidden herself behind doors or squeezed herself into corners and stopped breathing whenever there had been any fear of meeting him upon the stairs. Until one day having darted into a cupboard to escape from him and drawn the door to after her, it turned out to be the cupboard in which Carlyle was used to keep his boots. So that there was quite a struggle between them; she holding grimly on to the door inside and Carlyle equally determined to open it and get his boots. It had ended in her exposure, with trembling knees and scarlet face, and Carlyle had addressed her as “woman,” and had insisted on knowing what she was doing there. And after that she had lost all terror of him. And he had even allowed her with a grim smile to enter occasionally the sacred study with her broom and pan. It had evidently made a lasting impression upon her, that privilege. They were passing a lamp. Joan had never seen a face look quite so happy as Mary’s looked, just then.!

“What’s he like to-night?” she asked, with a jerk of her head in the direction of the next room. She placed her bag carefully upon the sofa, and examined the new shawl as she did so. “It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.”

It represented a long, thin line of eminently respectable ladies and gentlemen in early Victorian costume. The men in peg-top trousers and silk stocks, the women in crinolines and poke bonnets. Among them, holding the hand of a benevolent-looking, stoutish gentleman, was a mere girl. The terminating frills of a white unmentionable garment showed beneath her skirts. She wore a porkpie hat with a feather in it. “I wish it,” she said, speaking low. And it pleased her that he made no answer but to ask her what he should sing. He had a light tenor voice. It was wobbly at first, but improved as he went on. They ended with a duet. Oh, the things she was going to get fond of! The things that her poor, round foolish eyes gloated upon the moment that she saw them! Joan tried to enlist the shopman on her side, descending even to flirtation. Unfortunately he was a young man with a high sense of duty, convinced that his employer’s interests lay in his support of Mrs. Phillips. The sight of the furniture that, between them, they selected for the dining-room gave Joan a quite distinct internal pain. They ascended to the floor above, devoted to the exhibition of “Recherché drawing-room suites.” Mrs. Phillips’s eye instinctively fastened with passionate desire upon the most atrocious. Joan grew vehement. It was impossible.